Powerful. It’s the first word that comes to mind when I think about Charles Yu’s Interior Chinatown. By the time I was twenty-five pages in, I could totally see why this spectacular novel won last year’s National Book Award, and that feeling only grew stronger the further I got into the story. In fact, there were several points where I simply had to set the book down and digest a powerful phrase or paragraph, to savor it. “Powerful” also fits because Interior Chinatown takes on extremely important questions related to class and racism in a way that is bold and illuminating, because Yu does an incredible job of showing the transformation of his characters from both their perspective, as well as from the perspective of various other characters.
Playful. But even while Yu takes on these somber and heavy issues, he manages to infuse his novel with humor, playfulness, satire, unexpected romance, and so much intrigue. For all the nerdy readers out there, Yu is also playful through his use of intertextuality (sometimes writing in screenplay format, other times prose) and metafiction (Nabokov’s The Unbearable Lightness of Being comes to mind… I kept expecting to be pulled into the plot as a character, or for the characters to show up at my doorstep).
Pressing. Lastly, I am so grateful that I read this book now, for two reasons. First, it really helped me to read this book after finishing Matthew Salesses Craft in the Real World, which undoubtedly helped me recognize my own biases as a reader while engaging with Yu’s style (for example, I’m sure I would have been tempted to use the word “experimental” to describe Yu’s work, but now am considering that Yu’s style and approach might be new for me, but perhaps simply part of traditions I’m less familiar with). Secondly, and far more importantly, the timing of this book is significant for me because of the ways in which Yu’s fiction draws attention to the racism and stereotyping towards Asians and Asian-Americans that has recently been a focus in the media, pointing to the injustices, violence, and marginalization that these groups have long been subjected to in America.
Ultimately, this book is just as much a work of antiracist literature and socio-political satire as it is a fun and engaging novel. No matter what you’re looking for, this book is sure to challenge and entertain you. Highly recommend!
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